The fashion icon, known for his billowing silhouettes, booming voice and candor, was the first Black man to ascend the ranks at Vogue, becoming one of the most influential figures in an industry where few Black creatives have held top roles. He had a longtime close relationship with Wintour that had seemingly fractured in recent years, and was the subject of debate when he released his memoir, “The Chiffon Trenches”, last year.

“Yet it’s the loss of André as my colleague and friend that I think of now; it’s immeasurable. He was magnificent and erudite and wickedly funny—mercurial, too,” she added. “Like many decades-long relationships, there were complicated moments, but all I want to remember today, all I care about, is the brilliant and compassionate man who was a generous and loving friend to me and to my family for many, many years, and who we will all miss so much.”

Talley started his fashion career at the Metropolitan Museum of Art’s Costume Institute with an unpaid role under fashion editor Diana Vreeland, according to Vogue, who ushered in the Met Gala’s heydey. He worked at Andy Warhol’s Interview magazine, Women’s Wear Daily and the New York Times before taking his first role at Vogue in 1983 as its fashion news director. Wintour promoted him to creative director five years later, and he helped helm the publication until 2013, aside from a three-year stint at W magazine in Paris.

“I worked behind the scenes,” he told talk host Tamron Hall in 2017. “I did it in dulcet tones, and I was persistent and tenacious….I always assumed a very quiet role. I didn’t scream and yell and shout….That was the best strategy, because that was the world I moved in. After all, it was Vogue, darling.”

A relationship on ice

“This is about a Black man’s experience in a very insulated world,” Talley told Gayle King of his memoir released last year. Credit: Evan Agostini/AP

“Anna Wintour is a colonial broad; she’s a colonial dame,” Talley told Bernhard. “She comes from (Britain), she’s part of an environment of colonialism. She is entitled. And I do not think she will ever let anything get in the way of her white privilege.”

Though Vogue acknowledged Talley’s passing and released an obituary the morning following the news, some pointed out that their social media channels remained quiet while memorials came in from around the world.

Talley often emphasized his appreciation for his time at Vogue and Wintour, but he was clear that he credited his own upbringing and tenacity with his rise in the fashion world.